| From our deconstruction of hundreds of
| |
| | different aspects." The word is
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| Hollywood blockbusters....The Hero's
| |
| | "whimsical."Trial [passive]: Meeting the
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| Journey is the template upon which the
| |
| | relatives and familiarising himself with
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| vast majority of successful stories and
| |
| | the family.Trial [proactive]; Drew saves
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| Hollywood blockbusters are based upon. In
| |
| | Samson in the car.
|
| fact, ALL of the Hollywood movies we have
| |
| | Celebration at the passing of the
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| deconstructed are based on this
| |
| | trials: Drew is congratulated in the
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| template.Understanding this template is a
| |
| | house.Mentor's challenge: Jesse
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| priority for story or screenwriters.The
| |
| | admonished by his father; "you can't be
|
| Hero's Journey:a) Attempts to tap into
| |
| | buddies with your own son."References to
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| unconscious expectations the audience has
| |
| | the Outer Challenge; Mentor's back-story
|
| regarding what a story is and how it
| |
| | and capabilities: Lynard Skynard
|
| should be told.b) Gives the writer more
| |
| | sequence.Foreshadow of the break from the
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| structural elements than simply three or
| |
| | Old Self and preparing to Seize of the
|
| four acts, plot points, mid point and so
| |
| | Sword: Drew calls everyone, including
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| on.c) Interpreted metaphorically,
| |
| | Claire.Pulled Backwards to the Old Self
|
| laterally and symbolically, allows an
| |
| | and Forwards to the New Self: Heather,
|
| infinite number of varied stories to be
| |
| | Ellen and Claire all on the phone
|
| created.and more...Sample Movie
| |
| | simultaneously.Break from the Old Self:
|
| Deconstructed: Elizabethtown (2005)Fade
| |
| | Ellen says Goodbye.
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| In: starts strong (communicates salient
| |
| | Journey to the Sword: Drew and Claire on
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| information immediately): shoes
| |
| | the phone.Seizing the Sword: Drew wrests
|
| recalled.Introduce Hero (Drew Baylor) in
| |
| | the Champagne from Chuck.Rebirth through
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| his Ordinary World, which he is unwelcome
| |
| | Death: Claire offers to "let Drew
|
| in. Tangible representation of the
| |
| | go."Reward: Claire and Drew meet by the
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| Ordinary World (Ellen).Foreshadow of the
| |
| | Roadside.Allies confront limitations:
|
| Journey: we meet Drew's family around the
| |
| | Hollie takes tap, comedy, cooking lessons
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| table.Back-story of Hero: Drew in the
| |
| | etc. Claire doesn't go to Hawaii.Warnings
|
| World of the Shoe.Supernatural Aid pushes
| |
| | about the Atonement: Hollie warns Drew
|
| hero out of his Ordinary World (meeting
| |
| | about Bill Banyon.Preparing for the
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| with Phil).Development of Inner
| |
| | Atonement: Buying the cremation
|
| Challenge: Drew's suicide attempt in his
| |
| | vase.Second Thoughts: Claire and Drew
|
| apartment; what to do now that he is a
| |
| | think about being just friends.Atonement
|
| failure.Call to Adventure by the Herald
| |
| | with the Father:: Drew confronts his
|
| (his sister): Drew's Dad is
| |
| | uncle et al and makes a decision about
|
| dead.Preparing to cross into the First
| |
| | the cremation.Reference to the mentor's
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| Threshold with allies (sister and
| |
| | challenge: Jesse is ignored and
|
| mother): in the airport.First Threshold
| |
| | admonished.Apotheosis: Rusty's Learning
|
| and meeting the Romantic Challenge: Drew
| |
| | to Listen video. Mentor's challenge
|
| meets Claire in the aircraft.Allies
| |
| | overcome: "thank you for taking an
|
| encourage the journey: Claire draws a
| |
| | interest in Jesse."Ultimate Boon: "feels
|
| map.References to the inner and outer
| |
| | good doesn't it. I can see Mitch now, so
|
| challenge: Drew references that he was
| |
| | proud, in that blue suit."Refusal: Drew
|
| fired; Claire realises Drew's father is
| |
| | tries to stop the cremation.Magic Flight:
|
| dead.Back-story of the Outer Challenge:
| |
| | Drew prepares to leave.Rescue from
|
| Drew when he was young and with his
| |
| | Without: Drew meets Claire and sleeps
|
| father. Reminder of the Inner Challenge:
| |
| | with her.Crossing the Return Threshold;
|
| that he is a failure / lost $1b.Magical
| |
| | confronting and overcoming the
|
| gift: Claire gives Drew his wings, the
| |
| | Inner Challenge: Drew chases Claire and
|
| directions and her number.Physical
| |
| | tells her about his failure. She doesn't
|
| Separation: exit 60-B.Resistance to the
| |
| | care. References to the Outer and
|
| Transformation: difficulty getting to
| |
| | Romantic Challenges.Master of the Two
|
| Elizabethtown.A New World: entering
| |
| | Worlds: Hollie wins over both sides of
|
| Elizabethtown.Meeting the Mentor (Jesse,
| |
| | the family with her tap and comedy.
|
| his cousin).Mentor shows the hero around
| |
| | Convergence aided by Mentor (Jesse's
|
| the World of the Transformation and the
| |
| | tribute).Tangible representation of the
|
| Creatures within: Jesse introduces Drew
| |
| | New Order: the burial to appease the
|
| to everyone.Polarization: they want a
| |
| | Kentucky family.Freedom to Live. Drew
|
| burial and Drew is thinking about
| |
| | goes on the road trip with his father's
|
| cremation; he's from "California."Meeting
| |
| | ashes [the trip they always meant to go
|
| the Creatures of this World: the
| |
| | on] and comes to terms with his death
|
| congregation.Trial [passive]: Meeting his
| |
| | (conquest of the Outer Challenge).
|
| father lying in a coffin; lessons: "if
| |
| | Finally seizes Claire (conquest of the
|
| you move around a little bit, you'll see
| |
| | Romantic Challenge).
|
